I was nearly killed here, one night in February.
My car shivered, and slewed sideways on the ice,
right across into the other lane. The slur of traffic
came at me with their lights.
My name, my girls, my job, all
slipped free and were left behind, smaller and smaller,
further and further away. I was a nobody:
a boy in a playground, suddenly surrounded.
The headlights of the oncoming cars
bore down on me as I wrestled the wheel through a slick
of terror, clear and slippery as egg-white.
The seconds grew and grew – making more room for me –
stretching huge as hospitals.
I almost felt that I could rest
and take a breath
before the crash.
Then something caught: some helpful sand
or a well-timed gust of wind. The car
snapped out of it, swinging back across the road.
A signpost shot up and cracked, with a sharp clang,
spinning away in the darkness.
And it was still. I sat back in my seat-belt
and watched someone tramp through the whirling snow
to see what was left of me.
Midwinter
A blue light
radiates from my clothing.
Midwinter.
Clattering tambourines of ice.
I close my eyes.
There is a silent world
there is a crack
where the dead
are smuggled across the border.
Vermeer
The airy sky has taken its place leaning against the wall.
It is like a prayer to what is empty.
And what is empty turns its face to us
and whispers:
‘I am not empty, I am open.’
National Insecurity
The Under Secretary leans forward and draws an X
and her ear-drops dangle like swords of Damocles.
As a mottled butterfly is invisible against the ground
so the demon merges with the opened newspaper.
A helmet worn by no one has taken power.
The mother-turtle flees flying under the water.
by Tomas Tranströmer
(1931-2015)